For the Digital sector of Drawing Now Paris, Orianne Castel presents three inks on paper accompanied by their sketches, digital sketches made with a stylus on a smartphone and shown here on a tablet. This work takes the form of a series of homages to the painting of Bonnard, Vuillard and Matisse, through compositions combining motifs borrowed from their works with views of the artist's interiors. While the use of digital technology is a structuring element in Castel's working process, the gap between the studies and the final drawings highlights a shift in the status of the image. In the sketches, rapid, deliberately allusive strokes in very bright colors sketch out compositions reduced to essentials. In the final works, several of these pared-down compositions interweave and stabilize in a complex arrangement, elaborated according to a formal vocabulary derived from observation of the painting itself: the square of the frame, the cross of the stretcher, the intertwined lines of the canvas weave. Gestures become meticulous, colors are reduced to a palette of grays, and drawing asserts itself as a space of construction and reflexivity.