The sectors
GENERAL
Located on the first floor, this area welcomes galleries presenting an artist in focus on at least 30% of the total surface area of their booth.
PROCESS
Located on level -1, this area hosts projects that combine drawing with various media such as photography or animation; or with disciplines such as architecture, pedagogy or history - in short, a place where drawing tests its limits.
INCEPTION
Located on level -1, this new sector brings together galleries with emerging proposals at all levels: new gallery, project, artist... Inception is a privileged contact with trends emerging on the national and international drawing scene.
DIGITAL
Located on level -1, this new area hosts galleries featuring works/artists exploring the intersection of new technologies and the oldest artistic technology: drawing a line.
Testimonials
"We got to know collectors we didn't know before. We sold around 15 pieces and met many French and international institutions. The show's contemporary focus creates a very positive dynamic."
Nathalie Obadia, Galerie Nathalie Obadia
"Drawing Now has once again confirmed the value of this format for drawing in all its dimensions, enabling us to present a more intimate approach to the work of our artists and to establish fruitful exchanges with collectors.
The French scene attracted considerable attention, with Claude Viallat (€4,000-5,000), Abdelkader Benchamma and his cosmic drawings (€4,000-20,000), and Nazanin Pouyandeh's self-portraits (€4,000-6,000). Among international artists, interest was also confirmed in the Belgian Hans Op de Beeck (€20,000-50,000) and the Japanese Chiharu Shiota (€10,000-15,000) seen at the Grand Palais last year."
Théa Chevalin, TEMPLON
"This year's edition was a real vintage for us. Upstream communication around the work of Katarzyna Wysiołek, shortlisted for the Drawing Now Prize, contributed greatly to its visibility, with the sale of around twenty drawings, including Solis, the large sun shown at the center of the booth.
In response to demand, we were obliged to repeat several exhibits throughout the show. Damien Cabanes sold his two large drawings, while Roméo Mivekannin was also a great success.
Eric Dupont, Eric Dupont Gallery
This year, we presented an original project by Belgian artist Pieter Jennes. Although the artist already has a career in the USA and Belgium, this project also represented a real discovery of his singular universe. Drawing Now has always provided an opportunity for the fair’s visitors to discover or rediscover artists, and the event attracted a very wide audience throughout the week. Pieter Jennes’s work was very well received by new French and European collectors, with more than half of the works being acquired by first-time buyers.
Benoit Porcher, Semiose
Drawing Now Paris holds up well in difficult times. It's a great opportunity to showcase a practice that is often essential to our artists, like Sandra Plantiveau, in focus this year. Drawing Now Paris is the most important fair for contemporary drawing, and I'm always delighted to take part.
Aurélie Amiot, Modulab
For a first-timer at Drawing Now, we appreciated the organizers' availability and responsiveness, as well as the general enthusiasm of the visitors, both the curious and the collectors. Details that give the show a very special and pleasant energy.
Nadine Fattouh, Nadine Fattouh Gallery