The Backslash booth brings together three universes which, though singular, converge in the exploration of form, memory and perception of the sensible.
In her work, France Bizot pays particular attention to gesture, turning drawing into a fragile space of unveiling where intimacy emerges. Her compositions open up poetic interstices, like suspended narratives. Alongside her, Frédérique Lucien deploys a vocabulary nourished by observation of the plant and mineral kingdoms. Her drawings, precise and open to abstraction, reflect on the passages between the organic and the formal, composing a silent cartography of the living. Pierre Ardouvin, meanwhile, introduces the dimension of collective narrative and popular memory. His universe, nourished by references to visual culture and kitsch, brings drawing into dialogue with the theater of our memories and emotions.
The booth is conceived as a zone of circulation between these three voices. Bizot's fragmented forms echo Lucien's stylized motifs, while Ardouvin's sober lines contrast with his narrative imagination.