Analix Forever

Sector Process

Rue du Gothard 10
1225 Chêne-Bourg
Geneva - Switzerland

Presentation of the gallery

Founded in 1991 by Barbara Polla, Analix Forever is an unusual gallery, deploying its projects both within its own walls and in its secret garden, as well as abroad, and favoring collaborations and co-elaborations with multiple players in the world of art and culture. Analix Forever likes to explore interfaces, such as between drawing and video, drawing and performance, drawing and new technologies, but also drawing and architecture - drawing in space.

Back in 2011, Analix Forever created the Swiss Association for Emotional Architecture, even before collaborating with Laure Tixier, whose theoretical concerns are deeply rooted in "home" and what the architectures we create over the course of history say about us. Committed to revealing the essence of the artistic gesture, the gallery values the symbolism and creative processes of the artists it accompanies.

For Analix Forever, the love of art, drawing and poetry naturally extended to the love of words, or perhaps it was a lifelong love, and in January 2025 Analix Forever became a gallery-bookshop, in collaboration with BSN Press.

Présentation du projet

Architecture, housing and urbanism are founding elements of Laure Tixier's universe, somewhere between dream and nightmare: the beauty of structures, the nobility of buildings, the gentleness of the interior on the one hand, and on the other, the harshness of cities, the loss of inter-individual links, the destruction of the natural environment. The watercolor series "Unités Stratigraphiques" (2023) illustrates the duality always present in the artist's work, here between protection and extractivism, and reveals, depending on how you look at them, geological layers in the process of being plundered, or a hollowed-out silhouette of a house, as drawn by children, with a square façade and triangular roof.
These watercolors evoke Laure Tixier's essential question: "How do we inhabit the world? How do we manage the construction drive that gave rise to the first architectures and transformed our lives, gradually cutting us off from the rest of the living world? What balances are still possible, between the land that belongs to nature and the land we take from it? These questions are explored by the artist from multiple angles, but always from a feminist perspective.

Artists