The Circuits

© Grégoire Avenel / Coolhuntparis agency

Art faber

This year, Drawing Now Paris joins forces with Art Faber International to offer a program devoted to representations of the economic world.

The promotion of Art faber was initiated and is being developed by an international and apolitical Collective of personalities from the economic, academic and artistic scenes, at the invitation of the Université Paris Panthéon Assas. Its aim is to shed light on the artistic representation of economic worlds, which to date has never been conceptualized or promoted in its entirety.

The term Art faber refers to all works - in the visual arts, literature, poetry, photography, film, music, comics, etc. - that deal directly or indirectly with economic universes. At first glance, artists may seem far removed from these economic worlds, but on closer inspection, many see them as an essential part of our civilization, even if these representations tend to be critical. But that's exactly where we look to artists, whether they're depicting workers in action, salespeople waiting for their customers, or factory fumes obscuring the sky.

DRAWING NOW ART FAIR 
CARREAU DU TEMPLE 
MARS 2025

Grégoire Avenel / Coolhuntparis agency

The Art faber selection committee

1000055346

Grégory Desauvage

DRAWINGLAB-73

Christine Phal

Edith CHABRE-color HD © Arnaud TEXIER.

Edith Chabre

SS22 PACO RABANNE
27 JUIN 2021
MONACO

Joana P. R. Neves

PHOTO PY

Pascal Ybert

- Grégory Desauvage, Conservator, Musée des beaux-arts de Liège and Art faber Belgium coordinator

Grégory Desauvage has been Conservator at the Musée des Beaux-Arts de Liège since 2010, having previously worked in a number of museum institutions. He is Vice-Chairman of the Collectif international de l'Art faber and Coordinator of "Art faber Belgium". He co-chairs the "Art faber - Drawing Now". An author, he has also coordinated numerous exhibitions, including some in collaboration with Le Louvre, and curated artistic projects.

- Christine Phal, founder of Drawing Now Paris

Christine Phal began her career in the art world as a gallery owner, developing an exacting eye for the contemporary scene and a keen interest in emerging practices. This hands-on experience, close to both artists and the market, nurtures a strong conviction: drawing represents a space for research and freedom that is still under-represented. In 2007, she founded Drawing Now Paris, the first European fair dedicated exclusively to contemporary drawing, to give this medium institutional and international visibility. Conceived as a platform for discovery and dialogue, the fair supports the recognition of drawing by collectors, institutions and the public. Her commitment continues with the creation of the Drawing Lab, an art center she sponsors, dedicated to experimentation, exhibitions and transmission. Through these projects, Christine Phal defends a committed vision of drawing, conceived as a critical laboratory at the heart of contemporary creation.

- Edith Chabre, Managing Director of a law firm

A lawyer by training, Edith Chabre practiced as a lawyer before turning to educational engineering in 2008, first at Sciences Po where she participated in the creation and management and development of the law school as Executive Director. In 2016, she joined the school Camondoa school of interior architecture and design which is part of the Arts Décoratifs association. This immersion in the world of applied arts enabled her to understand the richness of creative processes and to accompany passionate students in their projects and learning. Today, Edith runs a law firm, a profession where precision meets inventiveness. Passionate about drawing, she practices it as an amateur. " I love the freedom of this artistic format: sometimes very simple tools can be used to produce works in a wide variety of forms, from the most spontaneous to the most accomplished. ".

- Joana P. R. Neves, artistic director of Drawing Now Paris

Joana P.R. Neves, an independent curator and writer based in London, has directed international galleries and organized exhibitions in France and abroad. Artistic director of Drawing Now Paris since 2018, she also completed a PhD in 2020 at Kingston University entitled Following the Indexical Line, Etienne-Jules Marey, Douglas Huebler and Sol LeWitt. Her recent publications include As One Takes One's Pulse, The Technology of Asemantic Writing, Centre d'art de Genève (2019); Unskilled Beauty or Ugly Truth? (Drawing, Research, Theoretical Practice, 2020). She is currently working on her first book, The Female Drawing Machinesabout drawing as technology from a feminist perspective (2026, Bloomsbury) and has launched the podcast Exhibitionistas with Emily Harding.

- Pascal Ybert, gardendesigner, landscape gardener and collector

Pascal Ybert is a garden designer and landscape architect, a graduate of the École Nationale Supérieure du Paysage de Versailles. His singular career path, combining rigor and creativity, has led him to explore complementary worlds where finance, art and nature intersect. Before devoting himself largely to garden design, he worked as a financial director, a position in which he developed a sense of precision and management. Pascal Ybert has a passion for art, and cultivates a sensitive eye for shapes, textures and harmonies, which he transposes into his landscaping projects. His creations reveal a subtle balance between classical heritage and contemporary expression, where each space becomes a place for dialogue between man and nature. Committed to a collective approach, he is a member of the Art Faber collective, where he shares his the world of work, art and landscape. Through his work, Pascal Ybert affirms a deep conviction: the garden is not just a decorative space, but a place of life and artistic resonance.

Art faber selection

Parallaxe: Les Femmes du Dessin

The Parallaxe course was created to celebrate works that push the art of drawing into bold territory, both in terms of subject matter and technical execution.

Parallaxe - which means "to change perspective" - is a real treasure hunt, whose excellence is guaranteed by the expert and passionate eye of a professional jury invited each year to join the artistic director in making her selection. In advance of the show, the jury provides an informed assessment of the galleries' proposals, giving them a spotlight on their artists.

In order to consolidate this pleasure of discovery, Parallaxe is sharpening its focus and, from this year onwards, is proposing a theme. Laura Sillars (director of MIMA, Middlesborough) and Bénédicte Salliou (director of Frac Champagne Ardenne) have joined Joana P. R. Neves (artistic director of the show) in selecting a route to direct our visitors' gaze on the theme of Women in Drawing. The aim is to focus on women artists for whom drawing is a central or unifying practice within their creative work. This also enables us to show audiences how a feminine and even feminist perspective enriches a variety of subjects.

Grégoire Avenel / Coolhuntparis agency

f

The parallax selection committee

SS22 PACO RABANNE
27 JUIN 2021
MONACO

Joana P. R. Neves

Unknown

Bérénice Saliou

Laura Sillars

- Joana P. R. Neves, artistic director of Drawing Now Paris

Joana P.R. Neves, an independent curator and writer based in London, has directed international galleries and organized exhibitions in France and abroad. Artistic director of Drawing Now Paris since 2018, she also completed a PhD in 2020 at Kingston University entitled Following the Indexical Line, Etienne-Jules Marey, Douglas Huebler and Sol LeWitt. Her recent publications include As One Takes One's Pulse, The Technology of Asemantic Writing, Centre d'art de Genève (2019); Unskilled Beauty or Ugly Truth? (Drawing, Research, Theoretical Practice, 2020). She is currently working on her first book, The Female Drawing Machinesabout drawing as technology from a feminist perspective (2026, Bloomsbury) and has launched the podcast Exhibitionistas with Emily Harding.

- Bérénice Saliou, Director, Fonds régional d'art contemporain de Champagne-Ardenne

Bérénice Saliou, curator and member of AICA and C-E-A, will be co-curating the inaugural exhibition of the Fondation H in Madagascar in 2022, after having directed the programming of the Institut des Cultures d'Islam (2015-2022). Driven by questions of transmission, mediation, interdisciplinarity and a desire to decentralize viewpoints, she works to raise the visibility of artists from sometimes marginalized scenes. From 2022 to 2025, she directed Documents d'artistes La Réunion, where she developed a publishing tool to serve artists from the island and Indianoceania. Since May 2025, she has been director of the Frac Champagne-Ardenne, where she has developed Poétique de l'attention, a project committed to exploring sensitive relationships between artworks, territories and audiences.

- Laura Sillars, Director of the Middlesbrough Institute of Modern Art (MIMA)

Laura Sillars is Director of MIMA and Dean of Culture and Creativity at Teesside University. She has directed major contemporary art programs in the UK and internationally, holding positions at Tate, FACT and Site Gallery, and leading projects in New York, Detroit, Busan, Liverpool, Sheffield and Middlesbrough. Her curatorial work explores how art can shape civic life, connect communities and respond to site specificities and material histories. At MIMA, she has established a program that links contemporary practice with education, ecology and social change, positioning the gallery as a driver of cultural regeneration in the Tees Valley region. Laura holds a PhD funded by the Leverhulme Trust at Durham University, entitled The Mineral Image: Contemporary Art and Digital Technology,which examines the material basis of digital culture and includes a study of the work of Suzanne Treister.

Testimonials

I particularly enjoyed taking part in the Parallaxe selection process. Exchanging with my peers, discovering galleries and artists I didn't know, or learning more about practices I was already interested in was an exciting and enriching professional experience. I can't wait to see the results of our selection in the aisles of the show. We tried to compose this selection with an open mind, in keeping with the spirit of Drawing Now, a major event that redefines and challenges our conception of what drawing really means.

Bérénice Saliou
Director of the Frac de Champagne-Ardenne

Reviewing the works submitted to the Parallax course was extremely enjoyable. Drawing is a form of world-building, and the works we selected ranged from the most minimal movements of ink on paper to complex structures that create form through light and shadow. The diversity of genres represented in drawing was evident in the works submitted, and we were all delighted to include political cartoonists and graphic novelists alongside contemporary artists in the group.

Laura Sillars
Director, Middlesbrough Institute of Modern Art (MIMA)

Parallax selection