Maxime Parodi (focus) draws cinema shots embedded in his memory. His works are populated by silent characters, some of whom stare at us completely naked. Their nudity is in no way provocative; they are ghosts witnessing the life they live. Caroline Rivalan explores feminine myths and reassembles archival images in plastic collage drawings, hijacking them to reinvent them. Anne-Laure Wuillai deploys a bestiary of seaside archetypes: perfectly shaped pools, idealized marine islets, private beaches with controlled access. Benoît Barbagli Vautier presents drawings made since 2010, bearing witness to his first co-creations with nature and the common thread of a polymorphous practice in which the gesture remains central. Gérald Panighi deploys his cynical aphorisms, where each drawing is accompanied by a sarcastic phrase about humankind, distilling his disillusioned vision of our contemporary condition. Jeanne Susplugas unveils two sketchbooks, somewhere between diaries and travel journals. They reflect her resolutely committed approach to questioning the many forms of confinement, both physical and mental.